Rain’s serious foray into the U.S. market began in 2006 with a pair of Rainy Day New York concerts at The Theatre at Madison Square Garden in February and then two shows at the Colosseum at Caesars Palace in December, both of which sold out within a matter of days. After the success of those dates, Rain decided it was time to venture further into the U.S. and enlisted the help of Yi, along with friend and promoter Andrew Kim, who has worked on shows with Black Eyed Peas at venues like L.A.’s Staples Center, and who arranged the singer’s upcoming show at the arena. Kim told Pollstar his background isn’t in entertainment, but the corporate world, so he thinks Rain’s campaign needs a different focus. “I realized, regardless of how good an artist is, it’s often the companies that sponsor them that make the difference,” Kim said. “So I’m looking at this more from a business point of view than an entertainment one. “Obviously, there’s a lot of skepticism because it’s the first time an Asian artist has performed at American venues this large, but we have a very strong group of corporate sponsors. And although they’re geared toward the Asian community right now, I think we’ll soon succeed in breaking into the mainstream market.” Pollstar had hoped to speak with Rain personally about his goals in the U.S., but because of time constraints caused by his current tour and the language barrier, we were unable to do so. However, both Yi and Kim were eager to share details about their plans for Rain’s conquest of the States. Yi would like to see the singer perform at a location even more high profile than Madison Square Garden. “I want him to perform in Times Square, where people can just walk by and hear him,” Yi said. “I talked about this with Rain the last time he was here for a press conference, and he was excited about the idea.” Kim’s plans are a little more down-to-earth. He played a role in helping secure Rain’s part in “Speed Racer,” and he’ll be working closely with the singer on his upcoming album, which he says will be “a mainstream English album.” The promoter said he thinks an album in English is a necessity at the moment, but that will soon change. “I think the general public isn’t quite ready to accept Asian artists singing in their native language – yet.”