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Ticketmaster Agrees To Stop Linking To TicketsNow

03:01 PM Monday 2/23/09 |   |

The New Jersey Attorney General Anne Milgram announces the ticket seller agrees to stop sending customers to its own reseller ticket site, TicketsNow.

Owned by Ticketmaster, TicketsNow is a third-party ticketing site where tickets are bought and sold between individuals, often at amounts higher than original box office prices.

  • Ticketing Agreement

    New Jersey Attorney General Anne Milgram during news conference discussing Ticketmaster.
    February 23, 2009

    (AP Photo)

    | 

The announcement comes three weeks after Bruce Springsteen fans complained Ticketmaster had sent them to TicketsNow when they tried to buy tickets during an onsale Feb. 2.

Sound familiar? That’s the onsale Springsteen complained about in an “open letter” posted on his official Web site.

“Ticketmaster is there to ensure that we have a good, fair sale of our tickets at their face value plus normal ticketing charges,” wrote Springsteen.

“TicketsNow is supposed to be a secondary site where people who already have tickets may exchange, trade, and, unfortunately, speculate with them. We have asked this redirection from Ticketmaster to TicketsNow cease and desist immediately and Ticketmaster has agreed to do so in the future and has removed its unwanted material from their and our site.”

Shortly after Springsteen wrote his missive complaining about Ticketmaster’s handling of his onsale, Ticketmaster Entertainment CEO Irving Azoff issued a response, saying:

“We have committed to Bruce and state publicly here that we have taken down all links for Bruce's shows directing fans from Ticketmaster to TicketsNow. This redirection only occurred as a choice when we could not satisfy fans’ specific search request for primary ticket inventory, but to make sure there is no misunderstanding in the future, we also publicly state that we will never again link to TicketsNow in a manner that can possibly create any confusion during a high-demand on-sale. Specifically, we will not present an option to go to TicketsNow from Ticketmaster without the consent of the artist and the venue, both of whom work together to bring the joy of live entertainment to millions of fans.”

Now NJ AG Milgram says Ticketmaster has agreed to stop sending customers from Ticketmaster to TicketsNow. Not just for The Boss, and not just in New Jersey, but for all artists and in all states, according to the Star-Ledger.

What’s more, per the settlement Ticketmaster will pay New Jersey $350,000, according to the Star-Ledger, for costs the state accumulated during the investigation. However, while paying the amount, Ticketmaster admits no wrongdoing.

But wait. There’s more.

The AG also said Ticketmaster has agreed to run a lottery that will make 2,000 tickets for Springsteen available at box office prices to fans who complained. Fans who aren’t so lucky in the lottery will receive $100 gift certificates and a chance to purchase tickets to see Springsteen at an upcoming New Jersey show.

The agreement also calls for Ticketmaster scrapping an ad arrangement with Google that sent folks searching for Ticketmaster to the TicketsNow site.

Considering the Springsteen onsale took place on Feb. 2, or three weeks ago today, this must be one of the fastest legal agreements ever struck, not only in the concert industry, but in any deliberation, anywhere, involving lawyers.

But then, it’s not every day a ticketing company wants to merge with a concert promotion company. By putting this incident in the past, Ticketmaster can focus on its proposed corporate marriage to Live Nation, and not have to worry about Springsteen fans interrupting the ceremony.

Read the Star-Ledger’s account here.

Read Bruce Springsteen's open letter here.

Read Ticketmaster Entertainment CEO Irving Azoff's reply here.


Comments

  1. RushMark wrote:

    03:58 PM, Feb 25, 2009

    One thing that most fans don't realize is that the "public" onsale is the last step in the ticketing food chain. Before tickets are made available to the general public, there are almost always tickets allocated for the band, the promoter, the tour management and sponsors, the venue sponsors, the concert sponsors, the record label, the media, the venue's season ticket holders, and the fanclub(s). With all but the most powerful performers, the artists often have little say in this once they are in the mainstream tour circuit.

    Having worked in almost every phase of the ticketing industry, I've seen shows go on sale where less than 30% of the house is available for the public onsale (and to be fair, I've seen shows where less than 100 seats were held in total for a 19,000 seat venue). Having said that, it is also very common for many, many of those held seats to be released later, especially in the weeks prior to a show, and on the day of the show. While there are no guarantees, I encourage people to stick with it and keep an eye on the website and box office if your favorite artist has a "sold out" show.

    As a final note, keep an eye on the aftermarket ("scalpers")... it is very common for brokers to overbuy for less popular shows, and end up holding extra tickets. Don't go by the prices you see on these national networks - they are usually ripoffs with a 20-30% premium that they are taking off the top. Until the ticketsnow/Tickmaster merger, they were simply aggregators who didn't own tickets of their own... they simply listed other brokers tickets for a hefty fee, and provided guarantees if anything went wrong with the transaction. Find a reputable reseller (preferably one where you can  go directly to their office if they are nearby) and ask them for their best price. Quite often, they can do considerably better than StubHub/TicketsNow/etc. I seldom end up paying much of a markup on tickets because I've learned to be patient and shop around. In this economic environment, I've even been finding myself paying less than face value for about half of the shows I've attended lately. In many cities, you can do the same.

  2. R-Dub wrote:

    01:48 PM, Feb 24, 2009

    Most band contracts state that they want Comp tickets for each show. Most times it is 100 tickets in the first 10 rows, or side wings. In major markets they generally get more (LA, NYC, Chicago, ect) When the day of the show comes, if they dont have any VIPs to take care of they release those tickets. Thats how they end up selling more tickets to an already "Sold Out" Show.

  3. shellbo6901 wrote:

    11:49 PM, Feb 23, 2009

    i guess the marketplace is fixed too, or at least for teh show I just checked, i'll see how it is when i go to buy my next tickets though.

  4. shellbo6901 wrote:

    11:40 PM, Feb 23, 2009

    yes something really needs to be changed so that first come first serve is really that. i miss the old days.

    i wont restate what some have already said about this, but I 100% agree. I'm always on the computer and buying tickets at the time of the start of it and now I rarely ever see that large groups of great seats are gone before it even started. they need to take down the marketplace also.

  5. Studebaker Hawk wrote:

    05:55 PM, Feb 23, 2009

    AHA,I BEEN WONDERING IF THEY SELL ALL THE TICKETS UP TO THESE SCALPER AGENCIES BEFORE WE CAN GET THEM.I WAS THERE FOR THE FANCLUB PRE-SALE FOR IRON MAIDEN IN FT. LAUDERDALE 4-2-09 AND THE WHOLE GA FLOOR WAS ALREADY BOUGHT OUT!THIS WAS A DAY 'FORE THE GENERAL PUBLIC AT A BIG SPORTS ARENA EVENT 15-20,000 SEATER OR WHATEVER.I WAS THERE THE 1ST MINUTE PRESALE STARTED AND THATS WHAT HAPPENED.THEN THEY CHARGED ME OVER $15 EXTRA CHARGES.

  6. SneakyPete wrote:

    05:54 PM, Feb 23, 2009

    Wonder if any of Front Line Management Group's acts sell a % direct to secondary market? Its roster of clients include Tim McGraw, the Dixie Chicks, Brooks & Dunn, Van Halen, The Eagles, Jimmy Buffett, Neil Diamond and Christina Aguilera, among others.

    Guess who used to run  Front Line before selling to Ticketmaster? None other than our good friend Irving Azoff, Chairman and CEO of Ticketmaster Entertainment.

  7. hooterville wrote:

    05:38 PM, Feb 23, 2009

    Springsteen...hypocrite of the year nominee for 2009

  8. NYGTO wrote:

    05:38 PM, Feb 23, 2009

    I guess I can see how in the artist's (or more likely their handlers) mind it's no different than setting aside tickets for fan club members or VIP packages. But it still stinks.

  9. GeorgeDubya wrote:

    05:33 PM, Feb 23, 2009

    Here's a dirty little secret.... some artists are rumored to pull tickets from the initial onsale and divert them directly to the secondary market and are quite happy to let Ticketmaster take the heat.

    Of course no star would ever want to cop to scalping their own tickets... and I guess if the act is doing it, then it really isn't scalping.  Deceptive, absolutely, but illegal no way.  Let's just call it dynamic pricing with an artistic flair.

  10. SneakyPete wrote:

    05:23 PM, Feb 23, 2009

    This is a good start but how are there 2,000 extra tickets sitting around to raffle when the concerts were supposedly sold out in minutes? It goes to show that still more regulation is required to provide transparency on how tickets get sold to TicketsNow, regardless if there won't be a link from Ticketmaster for a year. It is my strong belief that Ticketmaster sells a certain % of tickets directly to itself and then resells them at a premium value in a secondary market (TicketsNow). By limiting allocation to the primary market, it drives up demand in secondary market, and also provides a lucrative and incremental revenue stream.  

    Wonder why TicketMaster is settling so quickly and issuing apologetic press releases? It’s because they want to kill the story and deflect from the larger issue that they’re running a shady racket where consumers pay more and artists make less while Ticketmaster creates artificial value that is subsidized by consumers. Weak reassurances from Irving Azoff (who once mailed someone a live snake?!) and Barry Diller mean little. Open the books and address the issue.



Artists Mentioned in this article